INTRODUCTION
Aiding audiences to develop science literacy (e.g., having content, procedural, and epistemic knowledge of science [
1]) is a key goal of both science communication and education. Science literacy can refer to knowledge about science generally (
2) or in specific domains of science (e.g., agricultural biotechnology [
3], climate science [
4,
5]). While global data indicate that populations typically hold positive attitudes toward science (
6), a unique challenge of developing literacy in specific domains of science is that not all audiences have interest in the topic (
7). This prerequisite of developing interest is critical to acquiring science literacy and seeking science careers (
8,
9). For example, in 2010 Miller found that interest in scientific, technological, and environmental issues was a main predictor of informal science resource use in adults (
10). This suggested that interest is a key factor influencing decisions to seek informal science education and an important precursor to content knowledge. Indeed, the Program for International Student Assessment (PISA) included attitudes and interest as forming “part of the construct of scientific literacy” (
1). Thus, it is essential to examine not only how formal and informal education initiatives impact audience development of content, procedural, and epistemic knowledge (e.g., literacy), but also how and if they impact previously uninterested audiences in development of interest in the topics at hand.
Art is a popular approach for engaging both the general public and distinct groups in science (
11–13), specifically for improving audience literacy in specific science domains (
7). Projects combining art, science communication, and science education utilize a diversity of forms, from exhibits to performances to classes (
12). However, even when initiatives have the same goals of increasing audience knowledge and awareness of a topic, some studies find that art-science collaborations are effective (
14), others report that they are not (
15), and still others report unanticipated results and consequences (
16). The equivocal impact of art in science communication and education underscores the need to better understand the mechanisms and contexts for when science art initiatives are effective in promoting audience interest and knowledge in specific science domains.
Audience identifiers (e.g., age, gender, education) are well-established factors that can influence the effectiveness of science communication (
17). Specifically, educational background in science, technology, engineering, and math (STEM) can play an important role in baseline interest in and knowledge of science (
18), and it can differentially influence the ability to find, perceive, and understand (e.g., accessibility [
19]) science resources. For instance, traditional media of scientist-to-scientist communication (e.g., academic publications, posters, talks) facilitate communication to experts in the field but not to nonexpert audience members; thus, they typically have high accessibility to scientists but low accessibility to nonscientists (
13). Conversely, approaches that increase public access to scientific findings through media other than traditional scientific publications (i.e., art) are hypothesized to improve accessibility to nonscientists (
13) and aid in developing interest in specific science topics (
7). However, communicating through art may or may not have the same beneficial impacts for individuals with a strong educational background in STEM, for whom “traditional” scientific media is also accessible. Therefore, it is critical to evaluate the generalizability of art as a science communication tool across audience members with diverse STEM backgrounds in order to understand the mechanisms influencing the effect of art on developing specific science domain interest and literacy. To date, this relationship between art and educational background in STEM has not been directly examined.
To address these gaps, we conducted two studies. In study 1, we asked, “Does interaction with a science-based art exhibit impact public interest in research in a specific science domain relative to their background education in STEM?” Next, in study 2 we asked, “Does interaction with a science-based art exhibit impact science student comprehension and retention (e.g., content literacy) of specific domain knowledge relative to reading a publication abstract?” To answer these questions, we developed an interactive art exhibit based on the findings of two scientific publications and invited members of the public (study 1) and current ecology students (study 2) to interact with the exhibit. We hypothesized that interaction with the exhibit would improve research interest overall, with individuals with less background education in STEM improving more than individuals with more background education in STEM (study 1). Next, we hypothesized that interaction with the art exhibit would be as good or better at improving student comprehension and retention of science knowledge than reading a publication abstract (study 2).
METHODS
Art exhibit development
To examine the impact of art on public interest and student comprehension of science, we chose to develop an art exhibit, as science art exhibits have been shown to engage wider audiences in science and clarify misunderstandings about certain science topics (
20,
21), as well as supporting the development of critical thinking skills in the classroom (
22).
We first developed an interactive exhibit with 20 pieces of original art designed to communicate the major findings of two scientific papers in the fields of disease ecology and global change biology (
23,
24). The art pieces were designed to engage visitors through various multimedia installations, including sculpture, painting, video, digital media, and live specimens (see Appendix S1 in the supplemental material). The exhibit was advertised via social media posts through official Binghamton University accounts as well as in-person announcements to classes. The exhibit was presented at Binghamton University’s Bartle Library on 2 May 2016 and was open to the campus community as well as the broader public. This study was approved by the Binghamton University IRB (protocol 3780-16; approved 15 March 2016).
Study 1: research interest
To investigate the impact of the art exhibit on participant interest and engagement with research in this science topic, we asked adult visitors (n = 90) to complete anonymous surveys about their research interest before and after interacting with the exhibit (Appendix S2). We also collected demographic information regarding visitor profession, level of education, major in college (if applicable), gender, and ethnicity.
Study 2: student comprehension and retention
To examine the impact of the art exhibit on student comprehension and retention of science, we recruited Binghamton University college students enrolled in an upper-level ecology class (n = 65). We chose to recruit from this population to control for student background education in ecology. Students were randomly assigned to one of three learning treatments: engage with the art exhibit, read the abstracts of the papers, or do neither (control). All text presented alongside the installations was identical to the abstracts of the papers. Participants remained blind to the purpose of the study until its conclusion.
To evaluate comprehension, students began their assigned treatments concurrently on 2 May 2016. To account for variation in learning speed, students were instructed to use as much time as needed to adequately process the information in all treatments. Following conclusion of the learning treatment, students completed an anonymous, multiple-choice comprehension quiz to evaluate their understanding of the two papers presented in the art and abstract treatments (Appendix S3). To evaluate retention, students were asked to complete the same multiple-choice comprehension quiz on 9 May 2016, one week after completion of their learning treatment. We also collected demographic information regarding student level of education, major, gender, ethnicity, overall grade point average (GPA), expected letter grade in the ecology course, and research experience.
Statistical analyses
We first conducted regression analyses to examine relationships between research interest (study 1) or comprehension (study 2) and demographic variables. We found no correlation between any demographic variables (e.g., gender, ethnicity, level of education, student GPA) and any outcome variables (e.g., research interest or quiz scores, pre- or poststudy). Demographic variables were thus excluded from further analysis.
To understand how engagement with the art exhibit impacted public interest in science research depending on educational background (study 1), we conducted a repeated measures analysis of variance (rANOVA) to examine participant responses before and after interacting with the art exhibit using formal STEM educational background as a between-subjects factor. Participants were coded as general STEM, non-STEM, or ecology STEM based on their reported major in college. Students currently enrolled in an upper-level ecology class (ecology STEM) were included in the analysis but grouped separately from those in the general STEM group to control for background education in this topic gained from being enrolled in an ecology course concurrently with the experiment. Cases with missing or incomplete information regarding research interest surveys (n = 3) were excluded from analysis.
To understand how our learning treatments impacted student comprehension and retention (study 2), we conducted an rANOVA to compare student comprehension quiz scores immediately after learning treatment (comprehension) and 1 week post-learning treatment (retention) using treatment type as a between-subjects factor.
For all significant main effects or interactions of rANOVAs, we conducted Bonferroni-corrected pairwise comparisons. All analyses were conducted in SPSS 25 (IBM).
RESULTS
Study 1: research interest
We found no significant effect of STEM educational background on research interest (
F = 0.971;
P = 0.383). In contrast, we found a significant effect of time (Wilks λ = 0.71;
F = 35.75;
P < 0.001) and a significant interacting effect of time and STEM educational background on research interest (Wilks λ = 0.81;
F = 10.21;
P < 0.001) (
Fig. 1).
Pairwise comparisons indicated that research interest in non-STEM participants significantly increased by 26.66% after viewing the art exhibit (P < 0.001) relative to interest before viewing the exhibit. Similarly, interest for general STEM participants significantly increased by 11.15% after viewing the art exhibit (P < 0.001) relative to interest before viewing the exhibit. In contrast, we found that interest for ecology STEM participants did not change after viewing the art exhibit relative to interest before viewing the exhibit.
Prior to visiting the art exhibit, baseline research interest scores for non-STEM participants were 23.94% lower than those for ecology student participants (P = 0.05). Baseline research interest did not differ significantly between general STEM and non-STEM participants or between general STEM and ecology student STEM participants. Additionally, research interest after viewing the exhibit did not differ between any of the STEM educational background groups.
Study 2: student comprehension and retention
We found a significant effect of learning treatment on quiz scores (
F = 17.2.1;
P < 0.001). Additionally, we found a significant overall effect of time (Wilks λ = 0.9;
F = 7.19;
P = 0.01) and a significant interacting effect of time and learning treatment on quiz scores (Wilks λ = 0.7;
F = 12.1;
P < 0.001) (
Fig. 2).
Pairwise comparisons indicated that quiz scores for students in the art learning treatment declined by 23.96% between the initial quiz testing comprehension and the follow-up quiz testing retention (P = 0.001). Similarly, scores for students in the abstract learning treatment declined by 21.88% between the initial quiz and the follow-up quiz (P < 0.001). In contrast, we found that quiz scores for students in the control group improved by 36.45% between the initial quiz and the follow-up quiz (P = 0.018).
For the initial quiz measuring comprehension, scores for students in the abstract treatment (P < 0.001) and students in the art treatment (P < 0.001) were both significantly higher than scores for students in the control treatment, differing by 84.01% and 64.41%, respectively. Additionally, comprehension scores for students in the abstract treatment were 22.66% higher than scores for students in the art treatment (P = 0.005).
For the follow-up quiz measuring retention, students in the abstract treatment group scored nearly significantly higher than students in the control treatment (P = 0.057) but did not differ significantly from students in the art treatment group (P = 0.14). Retention scores for students in the art treatment group also did not differ significantly from students in the control group.
ACKNOWLEDGMENTS
We thank J. Bagg, R. Benard, P. Blackwood, N. Buss, D. DiGiacopo, Y. Guo, J. Jaeger, K. Kurlander, K. Luschwitz, G. Meindl, S. Ryan, M. Wersebe, V. Wong, and V. Wuerthner for their help with the art show and administering surveys. We also thank the Summer Scholar and Artist Program and NSF Graduate Research Fellowship program number 2022314333, NSF award number 2042970, and NSF award number 1655190 for financial support.
We have no conflicts of interest to declare.